See You Out

She never asked Lucille what she was going to do or where she was going. All she knew was that if Lucille asked her to do something, she would do it If she couldn't help with anything, she would wait at home obediently. When Lucille went downstairs, Culver saw her and asked. respectfully, "Are you going out, Mrs. Collins? Let me see you

out."

"No need."

Lucille made up a random excuse. "I'm just going to buy something."

When she walked out of the villa to hail a taxi, Lucille realized

how troublesome her life was without a car. However, when she remembered that she only had two thousand dollars left, she immediately gave up on the idea of buying a car.

She took a taxi to the bustling downtown street. She went into a few shops and bought some small trinkets. Then, she acted as if she was strolling around and casually walked toward one of the alleys.

When there was no one following her or paying attention to her, Lucille strode into the alley and found the door number of the address that her grandmother had given her.

Lucille took out the key and gently unlocked the door.

She walked in and saw a brightly lit corridor. There were some

paintings on both sides. Written beside each painting were al description and an introduction to the artist. At first glance, they were just small, ordinary paintings.

Could it be that these paintings were left behind by her grandmother?

Lucille continued walking forward. At the end of the path, there

was a mechanical door.

When the door detected that someone was approaching, a password input prompt immediately popped up. It read: "If the password is wrong, this door will be sealed for a year, which means that it can't be opened until a year has passed." There was only one chance.

Lucille did not even think before she typed in her birthday along with her favorite number.

She heard cracking. The mechanical door began to operate and then it slowly opened.

It revealed a completely different environment.

As far as the eye could see, there were super high-end instruments, advanced equipment, and scientific research materials everywhere.

Lucille walked in, feeling surprised.

No wonder her grandmother said that she had left behind everything she could.

It was a science and technology laboratory carefully prepared by her grandmother.

Her grandmother-in-law, Rafela Jones, had devoted her entire life to the science and technology industry. She had won countless awards, and she had made dozens of achievements in her research and development! With her own skills, she had been able to push technological development forward for

decades.

Almost everything in the laboratory was a result of her painstaking effort.

Lucille walked over with quick steps, her heart beating faster.

She used to follow her grandmother around the laboratory since she was a child. She knew how to use all the instruments

inside, as well as the super high-class equipment.

Lucille picked up a set of high-tech glasses on the table. She was about to put them on when someone patted her on the shoulder.

Someone was behind her, but she hadn't noticed them.

Lucille's entire body tremble, and she abruptly turned around... ""Who is it?"

Her pupils constricted when she saw the person behind her.

The man in front of her seemed to have come straight out of a painting. He was handsome and tall, and his figure was slender and strong. Beneath his black hair, he had a pair of

sharp eyebrows and starry eyes, which were calm and gentle. His nose was high and straight. His lips were red, and his teeth were white. He looked stunning.

Say You Out

However, he wasn't breathing.

Because... he was a robot.

"Hello, Miss Jules."

The man spoke. His voice was gentle and smooth, and his tone and expressions were identical to that of a normal

person. He didn't seem like a robot that relied on a chip and power supply to function.

"I'm a custom-made guardian created by Doctor Jones to protect you, Miss Jules. I'm also the 96th research subject personally developed by Doctor Jones. My name is Robert Evans," he introduced.

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